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Only knowledge of the Forms constitutes real knowledge or what Socrates considers "the good". Those who have ascended to this highest level, however, must not remain there but must return to the cave and dwell with the prisoners, sharing in their labors and honors.


Plato's Phaedo contains similar imagery to that of the allegory of the cave; a philosopher recognizes that before philosophy, his soul was "a veritable prisoner fast bound within his body The epistemological view and the political view, fathered by Richard Lewis Nettleship and A.

Ferguson, respectively, tend to be discussed most frequently.

Much of the modern scholarly debate surrounding the allegory has emerged from Martin Heidegger's exploration of the allegory, and philosophy as a whole, through the lens of human freedom in his book The Essence of Human Freedom: An Introduction to Philosophy and The Essence of Truth: On Plato's Cave Allegory and Theaetetus.

The divided line is a theory presented to us in Plato's work the Republic.


This is displayed through a dialogue given between Socrates and Glaucon. In which they explore the possibility of a visible and intelligible world. First in the visible word with shadows such as those on the wall.


Socrates suggests that the shadows are reality for the prisoners because they have never seen anything else; they do not realize that what they see are shadows of objects in front of a fire, much less that these objects are inspired by real things outside the cave which they do not see[12] then the realization of the physical with the understanding of concepts such as the tree being separate from its shadow.

It enters the intelligible world as the prisoner looks at the sun. Leading to the Analogy of the Sun. Socrates reveals this "child of goodness" to be the sun, proposing that just as the sun illuminates, bestowing the ability to see and be seen by the eye,[15] with its light so the idea of goodness illumines the intelligible with truth.

Leading some scholars to believe this forms a connection of the sun and the intelligible world within the realm of the allegory of the cave. Influence The themes and imagery of Plato's cave have appeared throughout Western thought and culture. Some examples include: Thomas Browne in his discourse Urn Burial stated: "A Dialogue between two Infants in the womb concerning the state of this world, might handsomely illustrate our ignorance of the next, whereof methinks we yet discourse in Platoes denne, and are but Embryon Philosophers".